Ravens March Banner and home link

Link to the Collection PageLink to arguement for fountain pensLink to How Pens Work pageLink to Use Guide
Link to Care GuideLink to Repair pageLink to Links page


Waterman Taperite Citation

Black pen with gold furniture and a concealed point


When Parker introduced the "51" in 1941,  they caused a bit of an upset in a lot of other pen makers.  Since the stuff under the hood of the "51" wasn't visible to the average pen user (without help from Parker's advertising), those other pen makers didn't have to reproduce the interior innovations, but just the new, sleek profile.  The Taperite line was Waterman's entry in the chase-- the initial offering in 1945 was two models, which had grown to seven by the 1947 catalogue.  While slick, the innards were nothing more than a scaled-down version of the same feeds and points which the company had been making pretty much since the start of the century.  The Citation was in at the beginning, its huge band being a step down from the Stateleigh's all-metal gold-filled cap.  Most incarnations of Waterman's pens in this era were still available in the old open-point style, which shows that Waterman was still having a little trouble committing to innovation-- they were one of the last major makers to give up on hard rubber bodies, too.

This example is from 1949, which I cleverly divine from the huge inscribed date on the next unlined space on the band; for whatever reason W.H. Carr got this nice pen, he (probably, although conceivably she) got it in 1949.  He treated it kindly, too, as there was little wrong with it when it came into my hands.  The 1947 catalogue indicates that this line had the lamentable and disintegrating celluloid "gum drop" on the tail, which has happily been done away with in this later model.  Unlike the fully hooded Parker point, the Taperite's partial exposure allows for a fair degree of flex in the tines.  This was offered in the catalogue and it is evident in this particular pen.

Amongst pen fanciers, there is frequent urge to compare the "51" to the still-current Lamy 2000, which is to my way of thinking much like comparing apples to potatoes-- both are put to the same general purpose, but are of entirely different natures.  This pen is much more like the Lamy in it's performance, although I should invert that order for chronological correctness.  I suppose the usual urge to comparison stems from the production dates of the "51" and the 2000 overlapping, while the Taperite line was a distant memory by the 1960s.
 
Specifications: Fine semi-flex 14k gold point (I've not had it apart to look for a hallmark, but the catalogue claims it).  Lever filler.  13.3 cm long capped, 15.7 cm posted.

Condition: Scuffing from the cap around the joint, but not the tail.  Body otherwise in good condition but for the two small pits ahead of the lever visible in the picture.  The scuffing on the gold is somewhat exaggerated by the flash.  Very positive action on the cap clutch.

Repairs: Replaced sac.  Prolonged cleaning.

Location: My collection.

For sale?:
No.
ravensmarch, followed by the encircled-a character, then gmail period com








Link to Main Page  

Please use your browser's BACK button to return to the page you came from.



Website design by Dirck de Lint, renaissance thug, with the great assistance of Document made with Nvu